CKY (Chad I Ginsburg, Jess Margera and Matt Deis) have released a brand new music video for their track, Wiping Off The Dead, from their most recent LP, The Phoenix. Directed by Dave Causa, this is the third music video we've seen from the band off their current release.
"Our good friend Dave Causa filmed us rehearsing for our UK tour last summer and the end result was us making a badass music video," says drummer Jess Margera. "It was filmed before we ever played a single show for the release of our album. Thank you, Dave, and thank you CKY alliance! Enjoy this great video from the archives."
The official music video for Ruston Kelly’s new single, Mockingbird, has premiered across Viacom platforms in an unprecedented partnership between CMT Music, MTVU and MTV Live. Watch/share here.
Of the song and video, Kelly shares, “I wrote Mockingbird in a Dominican hotel, on the edge of a bed, at like six in the morning. I needed a release from a cyclical pattern of a doomed relationship. The kind that leaves you with less than what you went in with. But, what directors Stephen Kinigopoulos and Alexa King reminded me with their proposed story about a single mother, is even though I write about my own personal situations, it’s also everyone’s story: the human condition, our connected plight in a mad world. Regardless of how it’s expressed, we all struggle through something with hope on the other side. That’s this song and that’s this video. That’s also why I fell in love working with them immediately.”
Nashville, TN – One listen to the brand-new album, “This Side or The Other,” and you’ll know David Olney is a man familiar with the wandering life and yearning heart of a poet. After more than 30 years in music, he’s had as many incarnations as you can imagine. His resume has expanded to include acting, poetry and a popular weekly stream cast. All of this adds to Olney’s strength as a songwriter’s songwriter, and one of Nashville’s founding fathers of Americana music.
While “This Side or The Other” is not a concept album, there are some recurring themes. The frequent reference to walls in these songs – walls being built and tumbling down – will suggest that while Olney has encountered more than his own share of walls, he is still trying his best to understand them.
“I wanted to explore the idea of walls,” says Olney, “What does a wall mean? What does it mean to be an immigrant who comes upon that wall as a wanderer, someone lost and alone?”
Vancouver indie folk-pop artist Stephanie Ratcliff is excited to announce the release of her new EP Land In Unknown Places on Friday, July 27th and will celebrate with a show at Reality Vancouver on release day, followed by a string of Canadian Tour Dates throughout Ontario and Eastern Canada in August. See below for full tour schedule.
The first single from the EP, 'Come Alive', made its debut just over a week ago on June 29th when the video (Stephanie's first official music video!) premiered at Live in Limbo. Directed by Dan Loewen, the video tells a very simple kind of love story, even though the song isn't necessarily about romantic love.
Washington state R&B/soul singer-songwriter Allen Stone has released a new single, "Warriors", today via ATO Records - share the lyric video via YouTube - in advance of a performance of the track this Sunday, July 1 on ABC's broadcast of the Special Olympics opening ceremony in Seattle - Stone will be backed during the performance by a 2000 member choir. The single, produced by Jamie Lidell, will be featured on an as-yet-to-be-announced full-length album, which Stone has been putting the finishing touches on.
Discussing the song, Allen stated, "This song came in a period of struggle. Inspiration hadn't come through to visit for a while. I had felt like I was just pushing a big rock up a hill while wearing flip-flops. I was reminded at that moment that true success comes when you face adversity head on and push through those moments of hardship. Walk tall like Warriors even when terrified."
Less than two weeks before the release of his album Wide Awake (July 13/ATO), Rayland Baxter has offered a new song from the Butch Walker-produced project. "79 Shiny Revolvers" was the first song Rayland wrote during his three-month-long isolation quest at Franklin, Kentucky's secluded Thunder Sound Studios. He composed fifty songs there, ten of which eventually became Wide Awake.
"79 Shiny Revolvers" is, in Rayland's own estimation, one of the most important songs he's ever written. Its lyrics burst with irony and cutting humor to interrogate our nation's fixation on guns: "You really wanna save the world, man / well, I wanna save it too / we can blow em away / the American way."
Says Rayland, "'79 Shiny Revolvers' is a satirical and sensitive song about the shortcomings of our human race. I watch and I write, not only as an onlooker but as a participant. As the world continues to swing around the sun, I cannot help but notice that we are good people. However, our shortcomings have been highlighted by a long line of imperfect decisions. Leonard Cohen died the day I wrote this song."
San Francisco based singer/songwriter Scott Smith builds on the success of his EP release Igniting the Flame with a double-sided single featuring songs “I Will Love You” and “Spinning Round”. His country rock sound is shepherded by Igniting the Flame producer Julie Wolf and she invests two essentially romantic tunes with the sort of sonic atmospherics both songs require to realize their potential. Smith has sacrificed nothing from his memorable debut and, if anything, this new release, however brief, reveals another subtle shade in his songwriting color. His vocal chops elevate the package to another level and deliver every ounce of meaning he can to its lyrics without becoming overwrought. There’s a classic tilt to the way he attacks a song, it's phrasing, and relationship to the other instruments recalling icons of the past while still writing and recording songs that never sound like museum pieces.
When I first sat down to write this review for Luna Keller’s new summer single “Packing My Bags,” I couldn’t really make up my mind whether or not Keller reminds me more of Dean Ween or Bob Dylan. Sure, she has all of the giddy eccentricity of Ween, along with his stylishly creative guitar licks, but there’s a distinctive hostility in her voice that is a lot like Dylan’s trademark irreverent rebelliousness. But then I came to the right conclusion; Keller takes a little bit from both and adds a uniquely 21st-century urban spin to this postmodern variety of indie stylized folk rock, and it’s better than anything I could have asked for as a music fan going into this summer.
© 2019 Cashbox Canada