To know more about who Ron Chapman is and what he’s currently up to – here’s is a bit of bio about the producer/director, musician. Chapman recently appeared as a guest on my CIUT 89.5 interview show, The Bill King Show and we dug back into his history and talked about his passion for film making and affection for Cuba.

Ron Chapman is a lifelong musician, producer, director and entrepreneur. Early in his career he was a musician, managed musical artists, produced albums, and produced and directed rock videos. He owned and operated the legendary, ground-breaking Toronto music club “The Edge”, bringing an eclectic mix of some of the day’s most exciting international acts and artists to the scene. For decades, he has been producing and directing television commercials, working with some of the world’s leading brands.

As a filmmaker, Chapman’s first documentary, “Who the F**K is Arthur Fogel” - CEO of the Global Touring division of Live Nation Entertainment and long time Canadian music promoter – Arthur Fogel – Chapman follows the impresario behind the scenes.

Weather's warming so all kinds of bands are hitting the road. Fans of Canadiana will be happy to know that one of the genre's paramount practitioners will be touring the land starting Mar.31.

Photo Credits: Pat Blythe, A Girl With A Camera "The Picture Taker"
Photo at right: Tim Tamashiro, Reg Schwager, Don Thompson, Ben Heppner

It's been a rather exceptional week for music....jazz, folk, blues, touch of rock....an absolutely stellar week and it puts me right over the top. To say I'm delighted is a gross understatement. So let's begin....

Saturday night found me at the Glenn Gould Studio as the guest of Jane Harbury. The show....well, it was not what I expected.....at all. What a wonderfully entertaining evening. Full of music, stories and laughter, host Tim Tamashiro and tenor Ben Heppner kept us all in stitches and our ears full of beautiful, toe tapping, finger  snapping music. Sam Taylor, you would have been right at home!

You hear a lot of loose talk about stepping away from success and getting back to the roots of it all. Of the few who actually walk that walk, put T.Dot's enduringly hot folk eminence Jane Siberry at the top of the list. Early in 2006, Siberry closed her music label and sold or gave away nearly all of her possessions, including her Toronto home and her musical instruments. She changed her name to “Issa” and retained one traveling guitar. “I felt I had to change or die.”Three years of spartan living later, she began using the name “Jane Siberry” again and resumed international touring and recording in 2009.

A disinclination to follow fads, trends and fashions has been Siberry’s signature from the earliest days of her musical career. An unending desire to find and describe the essence of human experience has led her through numerous musical inventions in a multitude of forms, earning her the passionate loyalty of music-lovers world-wide. Siberry is known for her original, adventurous musical vision and her independent journey has contributed to new models for operating as a musician.

Fall is prime time for sweater-folk music and the perfect time to release the mucho anticipated debut album 'Songs In The Dark' from The Wainwright Sisters, out Nov. 13, 2015.

Although they're sisters, Martha Wainwright and Lucy Wainwright Roche didn't grow up together.

Aside from genetics, their true bond was a musical one, both growing up in families steeped in songwriting. Both their mothers would sing them lullabies (Kate McGarrigle to Martha and Suzzy Roche to Lucy). Now to honour that, 30 years later, Martha and Lucy are singing many of these same songs, some penned by their mothers and father (Loudon Wainwright III) on 'Songs In The Dark.'

The record also includes songs that shaped their childhoods, made famous by the likes of Woody Guthrie and Jimmie Rogers. When Martha and Lucy grew up and become songwriters of their own, they discovered their physical separation was trumped by their shared musical DNA. On 'Songs In The Dark,' this is captured in its elemental essence: dark, mysterious, and beautiful.

Copperpenny was a Canadian rock band from Kitchener, Ontario. They were formed in 1965 by Kenny Hollis and Rich Wamil, and were originally known as the Penny Farthings to reflect the British Invasion. Not long after their formation they adopted Copperpenny as their moniker, after a B-side by Toronto band, The Paupers.

In 1968, the release of "Nice Girl" on Columbia Records garnered moderate success. They soon switched to RCA and enjoyed a minor hit with "Stop (Wait A Minute)". However, it was not until their move to Sweet Plum Records, a division of London Records, where they would enjoy their first major success. 

"You're Still The One" was the band's first mainstream hit and follow-up. 1973's "Sitting On a Poor Man's Throne" was recorded in Dearborn, Michigan with Richard Becker. Copperpenny continued to record as they toured throughout the United States with headlining acts such as Led Zepplin, Bob Seger, The Guess Who and Uriah Heep.

It’s pretty obvious Justin Trudeau mined for young votes an untapped source and got ahead of his feeble opponents who by all counts knew the plant was drying in the dorm stalls of their youth.
It truly is about time we legalize and savor the profits from the forbidden plant. Sucking families dry through gambling to me seems downright evil yet governments rely heavily on the faith of the weak, downfallen and underpaid to fill the coffers.

People smoke everywhere – who hasn’t. Hardly a day passes when I don’t recognize the sweet pungent smell of herb – it’s in and around. In fact, I see more people smoking freely on Main Street than at festivals.

It’s been decades since I last inhaled but I must admit I miss lighting up in cinemas and near the bandstand. Oh, the follies of youth!

Canadian Music Week is pleased to announce Andy Kim as the 2016 inductee to the Canadian Music Industry Hall of Fame. Andy will be honoured for his achievements and longstanding career in the music industry at the annual Canadian Music & Broadcast Industry Awards Gala Dinner in the Grand Ballroom at the Sheraton Centre on Thursday May 5, 2016.

"Andy Kim's contributions to the Canadian and international music community are truly remarkable in his 50+ year career. As a former recipient of the Indie Award for Favorite Solo Artist during Canadian Music Week, we are so proud to have him as part of the CMW alumni and are thrilled at his induction into the Hall of Fame", says CMW President Neill Dixon.

Continuing on a string of fall tour dates that took him through the US and out to Canada’s west coast, Kalle Mattson has added more stops, including Toronto, Ottawa, Guelph, Kingston, and Peterborough, before heading overseas. It's all in support of Mattson’s latest mini-album, Avalanche, out now via HOME Music Co. Written over the course of March 2015 it picks up where the previous full length left off. Someday, The Moon Will Be Gold was released in 2014 to widespread critical acclaim, listed for the Polaris Music Prize and led to Mattson playing more than 160 shows across nine countries, including dates with Hozier. As a sneak peek at what Kalle Mattson and his band sound like live you can watch them perform “A Long Time Ago” live at Cherry Beach Studios, a song which Stereogum rates as “fearless in vulnerability.” Mattson 's shared a new video for the title track, “Avalanche”, via NPR’s First Watch.

Robbie Lane, Canadian music pioneer, was honoured at his place a work, on stage, where he has spent the majority of his adult life. Rarely will you see an entertainer more at home, under the lights and performing for the crowd than Robbie Lane.

Robbie received the Cashbox Canada Legacy Award of Merit on Sunday October 18, 2015 from none other than Canadian legend and old friend Bobby Curtola. “What an honour it was for me to be the one to give this award to my old friend Robbie Lane,” said Curtola after the event. “He truly is a pioneer and the Canadian music industry owes a lot to guys like Robbie. And he’s still doing it!”

Robbie Lane’s career spans six decades, 1960’s through to 2015 and a brief history of how he got here is awe inspiring.

Here's an overnight success that's only taken a decade. That's how long female-fronted hard rockers Diemonds have been bashing it out, playing every venue they could plug into across Canada and the US. The quintet, fronted by the commanding presence of Priya Panda is having a helluva 2015. The hard-working posse have played such notable festivals as Heavy MTL, SXSW, NXNE, Vans Warped Tour, Seattle Hempfest and most recently The KISS Kruise with KISS and Cheap Trick. Just out is third and most heavy hitting album so far, Never Wanna Die, which gets release in the U.S. on prestigious Napalm Records. A personal highlight for Pryia was opening for hard rock heroine Lita Ford in Toronto, which was followed by their Infest The West last August.

Oldies don't come anymore golden than Bobby 'Fortune Teller' Curtola, master of the pop single, former teen idol, current Order of Canada holder and all-round smooth dude. Curtola pulled a Prince and played a private gig at the Musideum which quickly became a love-in. The sold-out house was treated to finger poppin' hit after hit, reeling in the years from 1962 onwards. That's the year Bobby dropped "Fortune Teller" and shot immediately to international fame at age 17. In between "Hand In Hand With You," "Three Rows Over", "Sandy," "Destination Love" and the other singles, he painted insightful, funny and warm portraits of life as a teen idol at the dawning of rock'n'roll.

Cashbox Magazine Canada, aside from promoting mainstream artists and their careers, has a mandate to promote the indie artists as well as the legacy artists who paved the way.

Last weekend they took that mandate one step further by presenting the first Legacy Award to Bobby Curtola. CEO & Editor in Chief Sandy Graham, herself a veteran of decades in the music business said “I firmly believe that there are a lot of good folks out there who have made outstanding contributions to the Canadian music landscape that, even if they have been recognized in the past, deserve another moment in the sun. Our plan over the next few years is to make sure these people get their due. And it won’t just be artists  it will include record people, industry insiders and the ones behind the scenes who paved the path to create a Canadian music industry.”

Saturday night's alright for freaking and Kill Matilda brings it large. The VanCity noise punk crew is making its CMW debut and given its rep for loud and energetic live performances, this gig should be intense. Formed in late-2007, Kill Matilda garnered immediate attention for its O.T.T. frontwoman Dusty Exner. Blessed with an impressive vocal range married to a penchant for extreme stage behaviour, a love of beer both onstage and off and a colourful range of cusswords, Exner's one of the most watchable performers in hard music. The current lineup's   Marcus Luk (Drums) – Mykel Exner (Bass) – Dusty Exner (Vocals/Guitar) and they'll be playing most of current EP, 'Punk, Zombie, Rock n' Roll' their weirdest set yet and somehow quite danceable.

"We are excited to be playing Canadian Music Week for the first time ever! After 6 months living in a van and touring the US being home and being part of this event is awesome. Our showcase is going to knock your socks off, so come prepared!" comments vocalist / guitarist Dusty Exner.

Kill Matilda. Bovine Sex Club. Sat. May 2nd

If you name check sibs Kitty, Daisy & Lewis, you’re liable to step off with thoughts of warm, fuzzy, alt roots pop. You’d also be very wrong about what they do. A better clue is that Mick ‘The Clash’ Jones produced current album, ‘The Third’, dropping now.

Described as "a gift to those of us who still believe in magic,” and three years in the making, it’s a worthy follow-up to their highly acclaimed 'Smoking In Heaven.’ That one coughed up enough coin for the crew to build a new 16 track analogue studio in a derelict Indian restaurant in Camden Town, resulting in an album and a sound pushing ahead what all that came before.

An early fan of the band, Mick Jones was keen on his gig as producer. Jonesy T spent four months rehearsing with the band at their home and utilizing many forgotten recording techniques. "This magical, heart-warming record really does produce a feeling of wonder,” says Jones. Something else Jonesy brought round was an enhancement of the group’s rockabilly leanings with a side of edgy vibe.

So here’s our pick for wild chile of the week. Grace Vonderkuhn is a musician and songwriter out of Wilmington, Delaware. She sings, plays the guitar, bass, keys, and drums. All ferociously. After fronting her bands (Kind of Creatures, A New Dakota) from 2009-2014, she went solo with a style which cherry-picks elements from garage, psychedelic, punk, classic, and glam rock genres. Some say she’s the unearthly love child of Kim Deal and Joan Jett. Her current EP "Saints With Death Wishes", is rough around the edges in all the right places, She’s all beautiful, messy charm and knows her way around muscular music, brave enough to let the skeleton show through in places.

noisey.vice.com/blog/premiere-grace-vonderkuhn-salutes-saints-with-wishes