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Cashbox Canada’s Twelve Days of Christmas Rock Videos

Cover Dec 13, 2012

So This is Christmas ! 

We have all heard all the classic Christmas songs that have stayed popular for decades, and radio stations play them every year. Those classic holiday songs will always be firm favourites, but the last few years have brought about a whole new era of rock artists who have released Christmas songs that are sure to be the next generations classics. This list has some remakes but mostly original songs by our rock artists of today. Enjoy Cashbox Canada’s List of Christmas tunes and videos ! 

1) Happy Christmas (War is Over) 
John Lennon

2) Do They Know It’s Christmas?
Band Aid

3) Santa Baby
Madonna

4) Santa Claus is Coming to Town
Bruce Springsteen

5) All I Want For Christmas is You
Mariah Carey

The Real John McDermott - A Canadian Treasure

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Submitted by Sandy Graham


John McDermott is such an established name, there is no need to describe the talent of this amazing Canadian tenor. But there is so much more to this man, both in song and spirit. The thing that strikes you the most when you speak to him is his passion for life, music, family and tradition.


John Charles McDermott was born in Glasgow, Scotland, but immigrated to Canada with his family in 1965, becoming part of the major diaspora that came from across ‘the pond’ to settle here for a better life. Like most Scottish/Irish families, he learned his love of music with the Saturday night sing-a-longs at home, where neighbours and friends all gathered to sing Harry Lauder, Andy Stewart and all the other songs 'from back home' that kept their heritage alive in this new country.

Toys Toys Toys Are Made to Love!

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Submitted by Don Graham


Toys!! Just saying the word can bring a smile to your face and a rush of childhood memories. Who doesn’t like toys? We talk about toys, we write about toys, we reminisce about toys and we SING about toys. This time of year seems like a great opportunity to write about the songs that talk about the toys of our lives. The earliest I can find of recorded songs would be Al Jolson’s 1916 song, “The Broken Doll.”


This being the Christmas season,we at CB Magazine Canada thought we’d explore the world of “songs about toys” and maybe get you thinking of some we may have left out. Plus with the news of the 2012 inductees to the Toy Hall of Fame (yes it exists) the timing seemed right. To date, 49 toys have made the cut to the HOF. They range from classics, like Play-Doh and Slinky, to the less obvious, like the stick and cardboard box. Longevity is a key criterion for getting into the 14-year-old hall.


And now on to the toy songs, the obvious and not so obvious.

Soca to Soul – Who Let the Dogs Out? – Anslem Douglas

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Submitted by Michael E. Williams


To say rock n roll is a vicious game is under statement when it comes to Anslem Douglas, composer of the biggest selling single of the last decade,” Who let the dogs out”. On the eve of his latest release, “Project A.D.”, we talk about his life in music and where it began.


MW: When did the music hit you, in Trinidad?
A.D.: Yes in Trinidad. I was in kindergarten and I was asked to sing a duet with a girl, “Under the blue bridge, under the sea”. When it was my turn I ran off stage.


MW: What was it about music that captured you?
AD: I remember from a little boy growing up I was exposed to local artists like Sparrow, Kitchner and Mighty Duke. So being exposed to so much different music I would always try to mimic them. I would tell my mom, “Look! I can sing just like the Mighty Sparrow” and I would slide across the varnished floor like James Brown. Those things stuck with me! My mother ran a school where she had a drama program. They put on concerts every summer. Most of my teenage life I spent singing, in church and on stage.


MW: When did you start to record?
AD: My first recording, “The Neighbor”, was with a band called Firefly. I wrote  the song. Shortly after that Kenny Phillip, a local producer, heard it and wanted me to voice a medley of Carnival hits of the day and that was really the beginning. From there I got a contact with the band Atlantik, the biggest band in Trinidad at the time.

The Sultry Sounds of Hot Spot and Donna Greenberg at Musideum

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Submitted by Sandy Graham


Sometimes in the current environment of new releases, we forget that this business started with timeless songwriters who have managed to stand the test of time. That makes the work of Donna Greenberg so much more special, as she does remember, and performs these classics with her own flair and delivery. As a singer/songwriter herself, she feels the dynamics of a good song, and knows how to embrace it with her own style.


On Tuesday, December 18, Donna will be presenting the workings of her new cabaret style show at the unique venue, Musideum in Toronto, an eclectic musical instrument store turned entertainment venue at night by owner Don Quan.

Ross Petty and His Toronto Tradition of Fractured Fairy Tale Musicals

Cove Nov 30, 2012

Submitted by Sandy Graham

So how does a serious actor/dancer/singer come from Winnipeg, end up in Europe, perform on Broadway and create his own role on the #1 ‘soap’ All My Children?

‘I actually went to Victoria to study acting, and when I decided it was time to take my craft to the next level, England was far more advanced at that point so I headed to London to apply to the BBC. My family, although not musical in anyway, supported me in my quest, and my mother always was there for me.  It all really started in England.”

Ross Petty was born in Winnipeg, Canada and at the tender age of 23 traveled abroad, and although the BBC did not pan out, what did happen was a role with Betty Grable in the London West End musical, Belle Star. Not bad for a kid on his own in Europe. This led him to France, where he actually sang at Le Lido in Paris. “I just lucked out, it was all very easy back then. I was young and fearless and living the life of a performer. We had 1 show at 11 pm – the second at 1 am. It was an upside down schedule – sleeping during the day and working until dawn. It was all very glamourous, with gorgeous chorus line girls in skimpy outfits. I did a full year of it before the hours took their toll. I decided to go to New York at that point and give it a shot. I was young and fearless back then, with nothing to lose.”

Flying Monkeys and Barenaked Ladies: A Review of the BNL Imperial Chocolate Stout

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Submitted Courtesy of Robin Leblanc – The Thirsty Wench


November 28, Toronto, Ontario - There was quite a commotion going on at the LCBO’s Summerhill location today as the iconic Canadian band the Barenaked Ladies made an appearance for a signing not for the release of a new album, but for the release of their new beer.


Around September Canadian beer lovers and music fans alike were excited to learn of a collaboration beer being made with Barrie, Ontario-based Flying Monkeys Brewery and the legendary Barenaked Ladies. With quirky hits such as “One Week”, “Get in Line” and even the theme song for The Big Bang Theory, it wouldn't be a stretch to think that they would team up with a brewery called Flying Monkeys.


What makes this fun is that BNL Imperial Chocolate Stout, which hit stores across the country to coincide with the "Symphony Barenaked" Canada tour starting November 30th, isn't just a matter of the boys sticking their names on the beer and leaving it be. They kept well connected with the folks at Flying Monkeys, working out what they wanted the beer to represent, supplied box and label art by band member Kevin Hearn and even showed up for the first day of brewing. "The guys got a crash course in the brewhouse. Honestly, we’ve never collaborated with a better bunch of guys!” says Flying Monkeys founder and brewer Peter Chiodo.

Grey Cup Madness and Music

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Submitted by Bill Delingat


Photo Credits: Tracey Savein/South Paw Productions

A Rare Human Being & Canadian Music Treasure – Dougie Richardson

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Submitted by Michael E. Williams

It was the spring of 2004, I was listening to the playback of a track Chris Hall was producing. When I heard the sax solo, I immediately stopped and asked who was playing.  It was Dougie Richardson.

We had met before. I had heard him playing in the streets of Toronto, in clubs, at sessions with the multiple Juno Award winning Jazz Band, Kollage, and at the Motherlode reunion at the BlueNote Club with (Smitty) William D. Smith.

One afternoon, we were sitting in my studio and I decided to interview him. Years later, I found the tapes and here are some excerpts and insights into one of the greatest saxophonist, band leader, and session musician ever to come out of Kensington Market, Toronto, Canada.

MW: Let’s begin at the beginning, when did the music hit you and you knew you had to do it?
DR: I was 11 years old. When I started high school, I got into a music program because one of the social directors at the community centre said “Why don’t you guys start a band?”  We were on the verge of becoming juvenile delinquents so rather than see us all go to jail he suggested music. So we said ‘’yeah’’. When asked what I wanted to play I said saxophone. My mother could not afford an instrument so I went to the school and there weren’t any saxophones. They gave me a clarinet and one lesson a week. I thought it was great; it was better than nothing. My mother hated it and I agreed.

The Lamb Lies Down in Toronto!

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Story: Lenny Stoute

This one is from the pages of the best kind of rock 'n' roll story. That’s the one where a group of friends get together and start a band for fun, then hang on tight as unexpected success on a grand scale changes their lives.

When a group of Montreal prog-rockin’ musos cooked up a Genesis tribute band called The Musical Box in 1993, it wasn’t meant to last. It came together primarily to celebrate the 20th anniversary of seminal Genesis album 'Selling England By The Pound', with two shows at The Spectrum.

Instead, it morphed into the longest one-of in rock history, becoming their ticket on a ride that has seen The Musical Box play to hundreds of thousands of  people around the world.

The original lineup was a seven-piece with a strong theatrical outlook, and it plunged into using visual effects and costumes that were in the original Genesis shows of the 1970s. This kind of intimate meta connection to the original is a large part of what has placed The Musical Box apart from pretenders in the genre ever since.

Named for a 1971 Genesis song about an old man reclaiming his youth, the Montreal outfit has since become one of rock music’s least likely success stories: a French-Canadian cover band playing progressive-rock epics to raving crowds across the globe.

Says (frontman/band leader) Sebastian, “ In the beginning it was just a group of musician friends who were very into the music of Genesis. At that time we never imagined it wold lead to anything long term.”

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