The news spread rapid fire. On March 8, 2016 "we" had lost another one. Announced by a "tweet" from Ringo Starr. (The word "tweet" makes it sounds almost insignificant, even trivial) However, there is nothing insignificant about Sir George Martin, or his passing....quietly, at home, in his sleep. Survived by Judy, his second wife of almost 50 years, and a proud father to four children, Alexis, Gregory, Lucie and Giles.
A private man. A distinguished man. A learned man. A man of many quiet talents who has left us a legacy of beautiful songs and exquisite moments. A man who "heard" what we did not.
A giant in the world of music, Sir George Martin towered above everyone. A note, a nuance, a sound....from sheer simplicity to the most complex, he worked his magic not only for the Beatles, but for countless others including Kate Bush, Robin Gibb, Gerry and the Pacemakers, Peter Sellers, Shirley Bassey, Sophia Loren, Elton John... The list is endless. Numerous titles follow his name....producer, musician (oboe and piano), arranger, conductor, composer. I'll include "magician".
I always cherish that very unique early Thursday morning radio hour I get to spend with some of the most vibrant and creative folks in our country at CUIT 89.5 FM, on the campus of the University of Toronto. Every person is different – most stories compelling but a rare few are as fascinating and uplifting as the hour spent with film composer/pianist and violist Donald Quan. This was a rollercoaster ride with Quan out front. Donald Quan is one of the most celebrated film composers in recent memory, a workaholic, an accomplished musician – and then one fateful day – lights out. Here’s what happened.
Bill King: Long time keeping your grand passion afloat – Musideum and now big changes.
Donald Quan: It’s been less a change of heart. Musideum was a project I could see an end in sight. It’s been around about ten years and I knew there was a time it would end. Basically, after ten years, I feel I’ve done everything I can with it in terms of how I first conceived it. It even had a long run as a show on CIUT 89.5 and that kind of wrapped up the whole Musideum arc – starting as a music store.
SaskMusic and our artists are preparing to head south for another international market export event: the 30th Annual South by South West (SXSW) Music and Media Conference in Austin, Texas. “The world’s leading music industry event” offers attendees the opportunity to explore the future of the music industry during the day through important panels discussions, talks, trade show, gear expo and other activities. At night, the music festival showcases over 2200 artists, including over 500 international acts from 60+ countries.
SXSW’s innovative approach melds music, film, and interactive industries together into one enormous business and networking opportunity. With over 30,000 delegates to the music conference component alone – and millions attending the festival – it’s easy for an artist to get lost in the roar. To rise above the noise, SaskMusic partners with other Canadian music industry associations to present targeted events, with artists who have been selected by SXSW organizers as representing the best in Canadian talent.
Stephanie Martin celebrates the release of her second full length recording at Hugh’s Room. The disc features 12 new songs written by Martin and longtime collaborator and producer Chad Irschick. For this special concert, joining them onstage are Tom Szczesniak, Michael Francis, Brian Barlow, Eric St. Laurent, David MacDougall and some very special guests.
Stephanie Martin is a bilingual Canadian songwriter, singer and actor who has performed all over the world in award-winning theatrical productions and concert tours. In the theatre, she has played leading roles in Les Misérables, Napoleon and Schwartz’s, the musical among others. In studio, she sang the voice of Pocahontas in the French version of the Disney movie. On the concert scene, she has performed with symphony orchestras across North America, Europe and Asia.Her creative songwriting is inspired by a lifelong spiritual inquiry and a passionate conviction that music has an unparalleled unitive power. Her first recording of original songs shape, line and harmony was critically acclaimed and received widespread airplay.
9 time Grammy winner Wynton Marsalis is one of jazz’s most eloquent spokespeople. Over the past 30 years, he has been one of the premiere musicians responsible for creating a renewed interest in the art form. The New Orleans born trumpeter-composer gained fame as a member of Art Blakey’s Jazz Messengers in his early twenties and quickly established a solid career as a leader, recording in both the jazz and classical idioms.
With over 95 albums to his credit, Marsalis continues to pursue a demanding performing and recording schedule. He also serves as artistic director for New York’s Jazz at Lincoln Center Orchestra and remains active as an educator. The program was birthed in 1987 and facilities – (JALC) Jazz at Lincoln Center is located at Frederick P. Rose Hall, Broadway at 60th Street, 5th Floor, New York, NY) opened in 2004 after several years under construction. There are three performance facilities – Rose Theater that seats 1,233 patrons, The Appel Room- 480, Dizzy Club Coca- Cola 140 – an intimate night spot, Ertigun Atrium with a reception area with a capacity of 500 and Irene Diamond Education Center.
Submitted by Don Graham Photo Credit Pat Blythe - "A Girl With a Camera"
A few weeks ago Cashbox Canada did a review of a fine album recorded by 14 year old jazz singer Avery Raquel. Last night ace publicist Jane Harbury invited us to a CD launch and live performance of Life Lessons at the cozy Jazz Bistro in downtown Toronto. The venue is well set up for an intimate experience and our table was front and center so there were no distractions and we had an up close look at this rising young star.
Toronto personality Rudy Blair introduced Avery to the enthusiastic crowd and she joined her three piece band consisting of Joel Haynes on drums, Mike Pelletier,on stand up bass and Rob Fekete, piano, on stage to begin the show.
The petite singer looked confident and totally comfortable as the band kicked off with a song from her album Life Lessons, “Accentuate The Positive.” This was followed by great versions of “ Don’t You Worry Bout A Thing” from Stevie Wonder’s catalogue and rendition of “Que Sera Sera”, “Blackbird” and a haunting version of “Over The Rainbow” which Avery credits as the song that kick started her singing career. “My Dad called me down to the basement to listen to a version of “Over The Rainbow “ he had found by Ray Charles. He said to try singing along with it and when I said I didn’t know that version he suggested I just try it and see what happens. We both kind of lit up and thought ‘Okay, this is fun and it works.”
When it comes to one-man bands, guitarist and singer extraordinaire Steve Hill has no limits. The truest definition of a one-man band; Hill performs standing up while singing and playing guitar, his feet playing bass drum, snare drum, hi-hats and with a drum stick fused to the head of his trusty guitar, any other percussion within reach. An overnight sensation 20 years in the making, Steve Hill is an ambitious and raucous force to be reckoned with on the Canadian and international blues-rock scene.
Following the success of his JUNO nominated Solo Recordings Volume 1, which also won album of the year at the International Blues Challenge in 2013, and JUNO Award winner Solo Recordings Volume 2, Steve Hill is set to release Solo Recordings Volume 3 with a performance at Hugh's Room in Toronto on March 10th. Solo Recordings Volume 3 features originals that are outright rockers (Damned, Dangerous, Rhythm All Over, Smoking Hot Machine, Can't Take It With You, Walkin’ Grave) to more acoustic-based melodic tracks (Slowly Slipping Away, Troubled Times, Emily) and three reimagined and rearranged covers (Still A Fool & A Rollin Stone, Rollin & Tumblin/ Stop Breaking Down, Going Down That Road Feeling Bad).
Solo Recordings Volume 3 shows an artist at the top of his game and proves why the Montreal Gazette called him “the meanest guitar player in Canada”.
Award-winning Canadian country music sensation, Tenille, hosted her seventh annual Big Hearts For Big Kids fundraiser at the Entrec Centre in her hometown of Grande Prairie, Alberta. Held on February 13, 2016, the event raised $225,000 and was hosted by country superstar Deric Ruttan. The evening included performances by Tenille as well as top Canadian country acts, including headliner Doc Walker, Jason Blaine, Michelle Wright, and The Bros Landreth.
This years event helped the charity break the million dollar milestone, with all proceeds going directly toSunrise House, a Grand Prairie-based, emergency youth shelter that serves a wide area of Northern Alberta. Canadian Tire is the sponsor to this year's event.
"It's incredible to watch this event continue to grow and make a huge impact on the youth in our community. The spirit in the room is my favourite thing to witness and I'm always blown away at the generosity. We really couldn't do this without the love and support of our amazing committee, volunteers, sponsors, artists, and everyone that comes and participates. And it is such an important cause- over 6,000 bed nights have been counted at the Sunrise House since Big Hearts For Big Kids started. They have a safe place to turn to because of the support from Grande Prairie and surrounding regions and that is pretty amazing, said Tenille"
There was so much backlash about the Grammys , Adele’s not quite so perfect performance, The Eagles looking like they would rather be anywhere else than without Glenn Frey, Taylor Swift having trouble hitting the notes, sound issues, sloppy intro and extros. The bottom line is the music is what matters and the artists that make the music.
And they got the Awards right.
Record of the Year: Uptown Funk Mark Ronson Featuring Bruno Mars
Album Of The Year: 1989 Taylor Swift
Song of the Year: Thinking Out Loud Ed Sheeran & Amy Wadge, songwriters (Ed Sheeran) Best New Artist: Meghan Trainor
Best Pop Solo Performance: Thinking Out Loud Ed Sheeran
Best Pop Duo/Group Performance: Uptown Funk Mark Ronson Featuring Bruno Mars
Best Traditional Pop Vocal Album: The Silver Lining: The Songs Of Jerome Kern Tony Bennett & Bill Charlap
Best Pop Vocal Album: 1989 Taylor Swift
Best Dance Record: Where Are Ü Now Skrillex And Diplo With Justin Bieber
Best Dance/Electronic Album Skrillex And Diplo Present Jack Ü
Best Contemporary Instrumental Album: Sylva Snarky Puppy & Metropole Orkest
Best Rock Performance: Don't Wanna Fight Alabama Shakes
Maurice White (December 19, 1941 – February 4, 2016) was an American singer-songwriter, musician, record producer, arranger and bandleader. He was the founder of the band Earth, Wind & Fire. He was also the older brother of current Earth, Wind & Fire member Verdine White, and former member Fred White.
To say Maurice White and Earth, Wind and Fire ruled the soundtrack of my life is nothing compared to Maurice White’s musical influence on the world!
Maurice and I met on the EWF “Touch the World Tour” in Buffalo, NY, the performance was amazing, the interview was like going to heaven, church and school all at the same time.
I have always been a fan from the beginning, so my words fail me to write a eulogy for a man who changed the way we heard, thought about and celebrated with and made music.
Maurice gave us music as medicine, uplifting the spirit and soul in the process.
I never knew Maurice White,but I knew his friends, songwriters and Canadian Collaborators, William D. Smith of Motherload who composed “I need you” for his solo record and David Foster “After the love is gone”, In the Stone and basically joined the band.
I defer to David Foster who says it so much better than I, please watch this clip, as he describes Maurice White and what he meant to him…and all of us.
Remember Maurice White as one of the greatest American musicians ever!