Snowblink released their album Returning Current last September in Canada and now the rest of the world will be able to hear what Exclaim! calls “a blissful ride, sounds as the world does when you’re underwater: soft and calm”.
The new virtual reality video for “Feel Like A Man” saw its screen debut in Marfa, TX at the Marfa Myths Festival where Snowblink performed. The video, directed by Sam Fleischner, was made during the US election week in Brooklyn with a crew of around 30 people -90% of whom were women. When the video was made “It was a week of hate crimes and fear, where women had to stomach a misogynist taking his seat as the president elect,” says Snowblink’s Daniela Gesundheit. “Many of the women on the set were heartbroken, afraid, angry. We came together with a common purpose and created a ritual – a surrealist futuristic virtual reality séance wherein twelve dancers undergo a deep transformation over the course of a dinner banquet. With the camera positioned at the center of the banquet table, the viewer stands surrounded by these women, often encountering intense or compassionate eye contact. The piece is intimate and gives the viewer a sense of being a part of something private and transformative.”
Stony Plain Records has announced a March 31 Canadian release date for the vinyl LP edition of Time to Roll, the fifth album by award-winning Canadian blues/rock trio, MonkeyJunk.
Time to Roll is unique in that it incorporates elements of all four oftheir previous recordings with added maturity insongwriting and instrumentation, cementing MonkeyJunk’soriginality and sound as its own. It is also progressivefor the band, as they’ve added electric bass on most of thesongs. No MonkeyJunk recording to date has included bass,but they felt that it would be a welcome addition toMonkeyJunk’s sound. In another precedent, the band alsorecorded one acoustic track for the first time on the newalbum.
Comprised of Steve Marriner on vocals, baritone guitar,bass, harmonica and organ; Tony D on lead guitar; and MattSobb on drums, MonkeyJunk is one of the hardest workingbands on the scene today, performing at venues andfestivals around the world for over eight years.Continually pushing boundaries and blurring genre lines,the Ottawa, Ontario-based trio has added an edge to theirmusic by incorporating swampy blues and rock withthoughtful and intelligent lyrics.
Welsh born pianist-singer-songwriter Judith Owen has been making great records since her debut album ‘Emotions On a Postcard’ in 1996 and has just released ‘Somebody’s Child’, arguably her best work to date. A 15 song collection, 13 tracks and 2 bonus tracks, the album features songs and pictures of a life well lived and experienced. With Judith’s distinctive voice and piano as the stars taking centre stage, the finely crafted tunes give us a glimpse inside the life of a well rounded and observant songwriter.
The title track and opening song is a gem in all its simplicity and honesty, an observation of the human condition in the 21st century. In Judith’s words “Somebody’s Child is about all the things I see, the things that really count in this noisy crazy world where we’re all running around. I’d seen this young homeless girl in Manhattan, middle of winter, a foot of snow, barefoot, naked really except for a couple of trash bags with a huge beautiful, pregnant belly. We were all crossing the street when suddenly I had this moment of clarity where I thought that’s somebody’s child and if my life had been different that could be me.”
‘No More Goodbyes’ is a song about dealing with the death of a loved one that no matter how hard it is there is the side of it that says “sadness and yet, no more regrets no more goodbyes”.
BTW Latent Lounge (performances from Cowboy Junkies, Skydiggers, Lee Harvey Osmond, Jerry Leger, Harpacash & The Morals and others), Bill Plaskett and Joel Plaskett, Wild Rivers, Ninjaspy, The Harpoonist & The Axe Murderer, Snoop Dogg/ BADBADNOTGOOD , Danny Marks.
Submitted by Lenny Stoute
In 1982, while living in the UK, Michael Timmins and Alan Anton, were inspired by the independent label scenethat sprung up around the English punk movement, and createdLatent Recordings. Latent subsequently released a 45rpm single of their first band Hunger Project and two albums by their second band Germinal. Upon returning to Toronto and formingCowboy Junkies, they used Latent to release the band’s first album Whites Off Earth Now!! and then, in 1987, thebands' ground breaking The Trinity Session.
Flogging Molly announces their 2017 North American Headlining Tour, which kicks off on May4th in Oakland, CA and brings the band’s adrenaline-fueled liveperformances to cities including Vancouver, Denver, New York City,Montreal, Toronto, Chicago and more. Tickets go on sale Friday, March 17 th at 10:00 am local time. The tour is insupport of Flogging Molly’s long awaited new album, LIFE IS GOOD,out on June 2ndvia Vanguard Records. Fans will be excited to know that every ticket order(in select markets) will include a digital download of the new album uponrelease. For additional ticket information, visit www.floggingmolly.com, and see complete list of tour dates below.
Produced by Grammy Award-winning Joe Chiccarelli (U2, White Stripes, Beck),and recorded in Dublin, Ireland, LIFE IS GOOD marks Flogging Molly’s firststudio album in six years since 2011’s highly acclaimed Speed of Darkness, which reached #9 onBillboard’s Top 200.FoundedbyDublin-born frontman, Dave King, and fiddle-player, BridgetRegan, Flogging Molly has long been hailed for their compelling lyrics ofexile, rebellion, history and struggle told through exuberant anthems witha fierce blend of raucous punk/rock and traditional Irish music.
Canadian country music legend and Hall of Famer times three Dick Damron is still pickin’ and kickin’ south of two borders in sunny Mazatlan, Mexico. He is a charter member of three Hall of Fames; The International Country Music Hall of Fame, the Rockabilly Hall of Fame and the Canadian Country Music Hall of Fame.
The pride of Bentley, Alberta, has been making Canada proud for seven decades and fondly remembers the early scuffling days in the 70’s. “I was touring Europe, Scotland, Germany and England, back in the day where musicians from my area thought a Far East Tour was going to Saskatchewan! We played a lot in Vegas is those days as well. Here I was a kid from Bentley playing in Vegas. What happens in Vegas stays in Vegas, what happens in Bentley….no really, what happens in Bentley??”
Dick recorded his first record in 1958 at radio station CKRD in Red Deer, Alberta. “Gonna Have a Party” and “Rockin’ Baby”, original songs written by Damron. He pressed a thousand copies and released it to radio. He released the record on his own label and hit the usual roadblocks. ‘We don’t play Canadian records.’ “This confused me,” Damron said, “I’m a Canadian, they are a Canadian radio station and we’re in Canada!” Some things don’t change much! After a couple more releases on his own he signed with Quality Records who manufactured and released records on a national level. The first recordings for Quality were also original songs “Julie” and “That’s What I Call Living.”
Self-described as “pilgrims of funk, soul ‘n’ roll,” the Julian Taylor Band makes music as eclectic and all-encompassing as its taste will allow. They move effortlessly between vintage soul, tasty funk, tender balladry, indie rock, and even the occasional foray into social comment, solo acoustic, reggae and psychedelia all done expertly. Leading the band, Taylor boasts a drop-dead killer voice, impressive guitar work and a knack for writing catchy, earworm choruses – all of which pegs him as an authentic, eclectic talent foranyone’s palate. Current opus is the stellar double album Desert Star, a self-described labour of love for Taylor and the band, clearly evident by the prolific flurry of songs that resulted from their hard work. Now they’ll be bringing the new music to fresh audiences on the upcoming 401 Tour.
After the critically acclaimed full length album E in 2014, Toronto-based pop vocalist Emilia had nowhere to go but up. So that's exactly where she's gone with new EP Up. The five song cookie finds Emilia rolling with three heavy hitter Juno winners in producer Ryan Stewart (Hedley, Carly Rae Jepson), songwriter Anjulie and engineer George Seara (Drake, Rhianna, Holly Cole) working out of Toronto's Noble Street Studios, which boasts a client list that includes Shawn Mendes, Drake, The Weeknd and Usher. From this quality team has come a high-sheen, high quality EP that arrived bringing dispatches from the front lines of progressive pop.
A pop project has to be led by singles, and much of the fate of the project hangs on their reception. Up's leadoff single is 'Electricity' adynamic, high energy rollick with one foot in progressive pop and the other on the dance floor, pushed there by a killer chorus, simmering synths onpoint drums and percussion and a vocal both confident and hesitant, a sonic metaphor for young love that's an instant earworm.
"My idea of a good song is one with an honesty of feeling or emotion, an honesty crafted by both the lyrics and the appropriate music. That and a really good hook," offered Emilia.
On Tuesday, April 4, Avery Raquel and her band(s) will celebrate the release of Without a Little Rain at 3030 in the Junction. Avery has been working extremely hard over the past year – nothing new for this very focused young woman who started in the entertainment industry when she was just 7 years old – she has risen to every challenge handed to her - probably the biggest to date, has been to write original songs, and to that end there are six Avery Raquel originals on this her sophomore recording.
Her passion for singing has never wavered, and has led to an impressive list of career accomplishments on her musical resume. Avery Raquel has garnered numerous vocal awards over the years, and has excelled on the festival circuit too, delivering winning performances at The Oakville, Brantford, TD Niagara, and South Coast Jazz Festivals and sharing the stage with the likes of Matt Dusk, Lou Pomanti, June Garber, and other prominent Canadian artists.
Adrean Farrugia, Piano, Ross Macintyre, Bass, Joel Haynes & Jackson Haynes, Drums, Greg Kavanagh, Guitar, Brandon Tse, Sax, Kaelin Murphy, Trumpet/Flugelhorn, Amoy & Cecile Levy, Background Vocals, Rob Gusevs, Organ
AVERY RAQUEL WITHOUT A LITTLE RAIN CD RELEASE CONCERT IN CONCERT, TUESDAY, APRIL 4 • 6:30PM DOORS/7:30PM MUSIC • $15 ADMISSION or $20 Admission & CD @ 3030, 3030 DUNDAS STREET WEST, TORONTO
The Sonics formed in 1960 in Tacoma Washington, just 25 miles from Seattle where the grunge movement would start years later. Many of the grunge and punk rock bands would credit The Sonics with influencing their sound and style. Cashbox Canada caught up with Rob Lind, the sax/harp player and founding member to talk about the band and their upcoming tour and specifically their Toronto date ay the Danforth Music Hall.
“It’s interesting to know that we influenced people and that some people credit us with starting the grunge/punk movement. That was never our intention. We were influenced by Little Richard and Jerry Lee Lewis, we just thought of ourselves as a rock ‘n’ roll band. Now granted we were in Tacoma, kinda like the working-class Liverpool to Seattle’s hip and slick London. My dad was a blue collar worker on the waterfront and our lifestyle and our music was more working class grind it out rock ‘n’ roll. Make no mistake, there were some fabulous musicians in Seattle but their style of music was a bit more jazz oriented and sophisticated than ours. Being a sax player I really noticed it. These guys were playing all this complicated jazz stuff and I was a straight rock n roll sax player. We were working class guys who just wanted to rock.”