War No More - The Remembrance Day Veteran's Day Jukebox

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Submitted by Sandy Graham

Lee Vyborny is a great asset and personal treasure to Cashbox Canada and Cashbox Magazine USA and when we asked if he could create a music jukebox to honour November 11, he embraced it with his usual passion and musical  knowledge. The final result is a combination of WW11 songs, tunes that the Vietnam Vets listened to and anti-war protest songs that the 1960's generation made their own mantras.

Tropical Glen/Playa Cofi Jukebox is the creation of Lee Vyborny, a U.S. Navy Veteran, who now resides in a beautiful tropical area of Peurto Rico, and spends his time enjoying life and building great jukebox tributes for all to enjoy. (Cashbox Canada had an wonderful response to our summer jukebox songs)

Music has always been a major part of life, songs played at weddings, funerals, birthdays, dances, and most recently it was once again an integral part of President Obama's victory from the sounds of Aretha Franklin's 'Respect' to when he hit the stage as the re-elected President to the soulful vocals of Stevie Wonder's 'Signed, Sealed, Delivered, I'm Yours'. War and it's songs are an integral part of music history. We hope we have put some of your favourites on the jukebox.

So log on and visit at This is all done through Lee Vyborny's love of music so drop him a donation to keep this great site going. For the industry folks out there, Lee submits to all Performance Agreements and Requisite Royalties via ASCAP, BMI, SESAC, & SoundExchange.

Imagine All The People Living Life in Peace (quote John Lennon)

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Submitted by Don Graham

Remembrance Day/Veterans Day every November brings back to the forefront the wars of our past and wars we continue to fight. And we remember  the brave men and women who fought and died and continue to fight for our freedoms.

Could John Lennon have imagined that over 40 years later people around the world would still be singing and listening to his song Give Peace a Chance? As John said of the song when interviewed in 1980,  “ Well, after being interviewed for weeks and weeks and weeks, night and day, with Yoko and me talking about peace from our beds, I had those words coming out of me mouth or Yoko's - wherever the hell they came from - and it became a song.”  “ It wasn't like 'You have to have peace!' Just give it a chance. We ain't giving any gospel here - just saying how about this version for a change? We think we have the right to have a say in the future. And we think the future is made in your mind. Lennon used the phrase "All we are saying is give peace a chance" during an interview on the first day of the bed-in. Over the next few days he worked up a melody and lyrics, and recorded the song during the final day of the event. The song was intentionally simple, with two chords and a chorus which anyone could join in on. The verses, meanwhile, were largely nonsense.

Music and the Name Hurricane Sandy

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Submitted by Sandy Graham
Photo: The Hollies

For many of us, we sat glued to the news, watching as what was touted 'the deadliest' storm to hit in decades, grow across the monitors of weather forecasts. New York City was closed down, Broadway dark for the first time, people who said they were going to 'brave it out' then begging for rescue, strange pictures of sharks swimming in suburbia. Photoshopped or not photoshopped? Seeing Atlantic City be swept away, I personally felt sadness thinking what would it be like in my neighbourhood if the beloved Boardwalk here in the Beach was suddenly a pile of wooden rubble? As my brother Don Graham mentioned, that Atlantic City landmark was where the famous 'Under the Boardwalk' song came from by the Drifters.

Bruce SpringsteenBruce Springsteen

Past Present and Future for Crack of Dawn

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Submitted by Michael E. Williams

In 1974, upon arriving in Montreal from Cleveland, I immediately sought out the soul music and music with soul. I found it in Montreal clubs and discos like Rockhead's Paradise, In Concert, and The Esquire Show Bar.

In the same year, CBS Records Canada headhunted producer Bob Gallo to become head of A&R. A musician, arranger and composer himself, Bob was impressive in his ability to spot and nurture talent. He wrote for and produced such legends as Otis Redding, James Brown, Ben E. King, Patti LaBelle, Aretha Franklin, Big Mabel, The Rascals, The Drifters and Bo Diddley.

Bob Gallo was the right man for the job to beef up Canada’s soul music scene by signing Crack of Dawn, as the first Canadian Black Band to be signed to a major record deal.

In 1975, they released a well-received single produced by Bob Gallo, a song originally meant for Otis Redding called “The Key”. It was followed by “It’s Alright Feel that Feeling” and the album “Crack of Dawn”. The band broke up in 1977, reformed in 1981 for “Horizons” under Dwight Gabriel. Different band but great record and songs.

I stayed in contact with Glen Ricketts, the Harvey Brothers, and Trevor Daley always bugging them through the years about a Crack of Dawn Reunion. This Canada Day I got my wish. I was asked to host their reunion shows at Ontario Place and the Phoenix Club. I was honoured! The band was great, with Michael Dunston on vocals replacing Glen Ricketts.

Behind the Scene with Last Tango


Submitted by Sandy Graham

To be successful in the music industry, there is so much to do to make it so. Besides the fact that you need to have amazing product, you also need to hire the right people to promote your music. With a slogan that says 'breaking artists - making names' Last Tango Productions  is just that company.Yvonne Valnea, founder and whiz kid behind Last Tango is actually born and bred here. "I was born at St. Michael's Hospital in downtown TO. I have spent most of my life here, except for a few years when I went to live in Italy. I am happy here, I have raised my son here, I work here. TO is my home."

When asked how Valnea felt about the current way music is delivered and promoted to radio she said " I actually think it has evolved to be something quite amazing. I find music directors are more accessible now. It is all about building a relationship with them. Once they begin to trust your judgement (and product) it is a new version of the old way of promoting music. In the old days promo reps would go across the country, visiting stations, mom & pop stores, record stores. Now the social media is so up to date and so quick to deliver, you can promote yourself the same way, only online."

Lincoln Alexander and Quincy Jones An Evening to Remember


Submitted by Michael E. Williams
Photo: Quincy Jones and Lincoln Alexander

I was standing outside the back stage of Roy Thomson Hall for the Oscar Peterson Public Memorial, chatting with Jack Layton and Olivia Chow, waiting for a friend.

My friend, a lifelong friend of Oscar’s and featured guest speaker of the night, was Quincy Jones.

As usual, Quincy was brilliant that night as he gave us wonderful memories of his private and public moments with Oscar. Two of Oscar’s favorite pianists performed - the great Oliver Jones from Montreal and former Studio One pianist, Monty Alexander. Nobody swings harder than Monty Alexander known for his West-Indian swing Flavor.

I sat backstage left next to the amazing Phil Nimmons. Soprano, Measha Brueggergosman, was sitting on my lap. Quincy said to me “beware of the singers they can break your heart”. She is an amazingly wonderful lady with a voice as big as her heart.

I was literally surrounded by musical royalty and history.

The Editor in Chief and COO Speaks Out on Cashbox Canada

Sandy Graham COO - Editor in Chief

We live in an 'instant' world and the days of writing, creating and publishing have become so much faster than the old way of operating a magazine. We have an online issue of Cashbox Magazine, the magazine that started decades ago in the United States and was famous for coining the phrase 'With A Bullet' when a song was making fast moves up the radio charts.

There are days when the electronic world comes crashing down and the October 5 issue fell into that slot. From one of our employees being hacked, to my submitting files being corrupt, late submissions and other issues that seem to only happen when that word 'Deadline' is flashing in front of you. In my haste to publish on time, I made a “clerical” error that saw us publishing the wrong story and caused a maelstrom of activity on the social network FaceBook. I was prepared to move on but in light of the attack on myself, our staff and our publication,  I felt it necessary to respond. My silence might be conceived as guilt.

Bill Wood Eyes on the Prize


Submitted by Michael E. Williams

Photo Credit: Camelia Linta

Needless to say, surviving the business in Canada is not easy. MuchMusic gave new hope to all in 1984.   Record companies scrambled to fill the airwaves with Canadian artists.

Occasionally the music business executives attempted to manufacture groups to fill a certain need or void in the pop landscape.  In Montreal, it was the disco business that created music with no artist attached to the music, just a producer, while in Toronto successful bands created to fill The New Romantics. The trend was big and MuchMusic put a face to that just in time for the video age.

I remember sitting in Bruce Barrow’s office, discussing Platinum Blonde’s explosion upon the scene, fuelled by young girls, cool tunes and Celtic accents...musically they got better. They survived; most did not and for good reason. Manufactured music and bands is where the music business sucks the soul out of music and at its best, it becomes music by committee not a band.

How One Independent Record Label Defied the Odds in Difficult Times

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Submitted by Evelyn Robinson

Seeing Stars

On October 2nd, nearly a decade since their last release, the eight-piece Canadian instrumental rock band Godspeed You! Black Emperor (Godspeed for short) announced a new album, Allelujah! Don't bend! Ascend! The announcement came without any pre-publicity and without any hype, but fans were certain about the album’s quality before they’d heard a single note, and the band’s record label was forced to suspend pre-orders a mere 24 hours after the announcement due to the sheer volume of requests.

Memories of Michael Love!

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Submitted by Michael E. Williams

My chance meeting with Mike Love of the Beach Boy at WNCR, in the Penthouse of the old Stouffers Hotel in downtown Cleveland's Playhouse Square, went down Saturday, November 20th 1971.

I was an intern at the station answering phones and learning radio from David Spero who was a pioneering Dj and manager. (He is currently with The Rock 'n' Roll Hall of Fame.).

I would go to hang out with the Dj’s (David, Billy Bass, Doyle, Shauna, Denny Saunders and Jeff Gelb, Martin Perlich). The place was pure magic high above city where the view was great. The smell of sandalwood and patchouli permeated the air, when you got off the elevator.

One night The Beach Boys were in town at The Music Hall in support of their classic new release, "Surfs Up”. After the show Mike Love was stopping by the station to say hi and go on the air. The salesmen, record company staff and announcers would often invite artists back to the station after concerts to go live on air and to hang out. Not like today where interviews are never heard on air, just on line. But in 1971 it was all the fun, going live was the way we did it!

The action and studio buzz elevated as Mike Love came in. We ordered food and got comfortable as he talked about his devotion to Transcendental Meditation and the new record.

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