Music

The Editor in Chief and COO Speaks Out on Cashbox Canada

Sandy Graham COO - Editor in Chief

We live in an 'instant' world and the days of writing, creating and publishing have become so much faster than the old way of operating a magazine. We have an online issue of Cashbox Magazine, the magazine that started decades ago in the United States and was famous for coining the phrase 'With A Bullet' when a song was making fast moves up the radio charts.

There are days when the electronic world comes crashing down and the October 5 issue fell into that slot. From one of our employees being hacked, to my submitting files being corrupt, late submissions and other issues that seem to only happen when that word 'Deadline' is flashing in front of you. In my haste to publish on time, I made a “clerical” error that saw us publishing the wrong story and caused a maelstrom of activity on the social network FaceBook. I was prepared to move on but in light of the attack on myself, our staff and our publication,  I felt it necessary to respond. My silence might be conceived as guilt.

Bill Wood Eyes on the Prize

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Submitted by Michael E. Williams


Photo Credit: Camelia Linta


Needless to say, surviving the business in Canada is not easy. MuchMusic gave new hope to all in 1984.   Record companies scrambled to fill the airwaves with Canadian artists.



Occasionally the music business executives attempted to manufacture groups to fill a certain need or void in the pop landscape.  In Montreal, it was the disco business that created music with no artist attached to the music, just a producer, while in Toronto successful bands created to fill The New Romantics. The trend was big and MuchMusic put a face to that just in time for the video age.


I remember sitting in Bruce Barrow’s office, discussing Platinum Blonde’s explosion upon the scene, fuelled by young girls, cool tunes and Celtic accents...musically they got better. They survived; most did not and for good reason. Manufactured music and bands is where the music business sucks the soul out of music and at its best, it becomes music by committee not a band.

How One Independent Record Label Defied the Odds in Difficult Times

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Submitted by Evelyn Robinson

Seeing Stars

On October 2nd, nearly a decade since their last release, the eight-piece Canadian instrumental rock band Godspeed You! Black Emperor (Godspeed for short) announced a new album, Allelujah! Don't bend! Ascend! The announcement came without any pre-publicity and without any hype, but fans were certain about the album’s quality before they’d heard a single note, and the band’s record label was forced to suspend pre-orders a mere 24 hours after the announcement due to the sheer volume of requests.

Memories of Michael Love!

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Submitted by Michael E. Williams


My chance meeting with Mike Love of the Beach Boy at WNCR, in the Penthouse of the old Stouffers Hotel in downtown Cleveland's Playhouse Square, went down Saturday, November 20th 1971.


I was an intern at the station answering phones and learning radio from David Spero who was a pioneering Dj and manager. (He is currently with The Rock 'n' Roll Hall of Fame.).


I would go to hang out with the Dj’s (David, Billy Bass, Doyle, Shauna, Denny Saunders and Jeff Gelb, Martin Perlich). The place was pure magic high above city where the view was great. The smell of sandalwood and patchouli permeated the air, when you got off the elevator.


One night The Beach Boys were in town at The Music Hall in support of their classic new release, "Surfs Up”. After the show Mike Love was stopping by the station to say hi and go on the air. The salesmen, record company staff and announcers would often invite artists back to the station after concerts to go live on air and to hang out. Not like today where interviews are never heard on air, just on line. But in 1971 it was all the fun, going live was the way we did it!


The action and studio buzz elevated as Mike Love came in. We ordered food and got comfortable as he talked about his devotion to Transcendental Meditation and the new record.

Kevin Kelly’s Ultimate Heavy Metal Photo Show

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Toronto experimentalist art photographer Kevin Kelly's never been one to rest on his considerable laurels.  He's more about creating works which fuse form, content and cultural relevance into a narrative sustained and developed by each of the show's works. The current exhibition, Rock and Religion, at Akasha Art Projects (511 Church St.) till Saturday Oct. 13, offers images of pop music icons and Biblical billboards on a canvas of brushed steel. With pieces averaging 40 llbs, Kelly's art is weighty in form and content, the later being a meditation on the similarities and differences between Rock and Religion.


"On a drive down to Kentucky I saw the two signs:"If you died today, where would you spend eternity?" and 'HELL IS REAL'  We were late for a dinner engagement so we couldn't stop. The billboards made me angry and on the way back, we retraced the route. After I photographed one sign I discovered they were double sided signs. So the four pieces were all shot in minutes.


"The signs made me angry because they were all about manipulation through fear. The presumption of some to believe they have some kind of de facto authority over others.


"I'm hoping the show will generate discussion along those lines."


The consummate experimentalist, Kelly spent months belt-sanding specially prepared pieces of steel in various shapes and sizes, working like an old time sculptor visualizing the image within the marble. Onto these are printed images of a variety of rock icons, having only in common that he's a fan of their music.

Radio Radio!

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By Michael E. Williams

First there was “Soul in the City”, a radio show in Montreal, that ran every Saturday from 6-midnight on CKGM from about 1981-1984. I designed it to showcase all types of musical talent. There was no music or guest off limits. Our guest list included: Stray Cats, Tina Turner, Fat Boys, Run DMC, Gladys Knight, and all the other artist of the day, local and international. I booked them, called them, engineered, hosted and edited the interviews. It became a hit live radio show with ratings that were historic considering that people pretty much stopped listening to AM Radio once the great Ralph Lockwood era ended (1972-1981). Geoff Sterling had actually declared at a staff meeting that he could broadcast to more people by standing on top of the station, using a bullhorn. He was right, until “Soul in the City” (originally called “Club 980”).

Recently I thought of reviving the show ‘til I talked to a local (Toronto) Program Director that referred to the music as geriatric…?   Today, however, most radio stations (greatest hits formats) are in the hands of people half the age of the music they are being told to play on air.  Part of the deal for me is that you have to trust me to select the music I play!

Mel Shaw and his Freedom For The Song

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It is hard to believe that it has been twenty five years since the "Two Cents Too Long" songwriters and publishers copyright campaign successfully played a part in the passage of Bill-C60 on June 8th 1988. Next year will be the 25th anniversary of the passing of the law.


Mel Shaw, who headed up and directed the campaign, will be publishing a book entitled, Freedom For the Song. The self-penned book will chronicle the entire happening from the inside,  beginning with the first meeting with CMRRA General Manager Paul Berry, and CMPA President, Greg Hambleton, to the Celebration of Songwriters debut evening. It will be a thorough and factual book with perspectives by industry participants, the artists,and the songwriters who stepped up to be counted. The forward will be written by Oscar Brand, the writer of "Something to Sing About".


Freedom For The Song is scheduled for publication through Voice Magazine Books in 2013 in time for the 25th anniversary celebration. The company was started in 1961 when Mel Shaw began to be active publishing and editing the Canadian Voice Magazine in Calgary ( it was published every two weeks until 1964.) The newly activated company will concentrate on Canada's Music Business Books and has other titles scheduled for 2013. They will come out in soft cover and will also be available in eBooks.

Hang Out With Radio Legend Dave Charles In His Room

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Submitted by Cashbox Canada


Dave Charles is a global broadcast and creative media strategist with over four decades of radio, talent development, and new format creation in over 45 countries. After the success of launching Toronto’s now-iconic classic rock station Q107 with business partner John Parikhal in 1977, he formed one of Canada’s top consulting and research companies, Joint Communications Corp, consulting both mainstream radio groups and multinational music companies in Canada, U.S., U.K., Europe and Australia.

Dave will be doing a weekly stint at the Mediazoic studio, on behalf of his current company, Media Results International, and helping program and roll out an exciting new stable of stations and partners over the next few months. Even better, he'll be taking that classic radio voice of his, the one that voiced the spots since Day One of the Mediazoic Era, and bringing it into the studio booth to helm his own Mediazoic radio show, entitled "In My Room".

Canadian Country Stars Shine in Saskatoon at the CCMA’s

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Submitted by Cashbox Canada


The 2012 Canadian Country Music Association Awards shook Saskatoon on September 9, during one of the most star-studded events in Canadian country music. Dean Brody set the stage for an outstanding night of performances with his opening number, Canadian Girls; and it was clear from the start that it would be a night to remember for the 2012 nominee.  With his most recent album, DIRT, recognized with awards earlier this weekend, Dean Brody received two 2012 Canadian Country Music Association Awards for Album of the Year and Male Artist of the Year.


Johnny Reid took home the coveted Fan's Choice Award, following his 2012 win for Top Selling Canadian Album of the Year.  Carolyn Dawn Johnson went home with Female Artist of the Year and trio Hey Romeo took Group or Duo of the Year. Welcomed to the fold with her first CCMA Award was Rising Star Award winner, Kira Isabella.

On the Rise with Diamonds In the Rough

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Submitted by Cashbox Canada


Dictionary Definition of Diamonds in the Rough: Someone  that has hidden exceptional characteristics and/or future potential, and has characteristics that would make them truly stand out from the crowd. The phrase is metaphorical and relates to the fact that naturally occurring diamonds are quite ordinary at first glance, and that their true beauty as jewels is only realized through the cutting and polishing process.


With the CCMA Awards on the horizon in Saskatoon, it is quite an exciting time for both established artists and the new country stars, ready to hit the main stage in the near future.  Our Canadian Country industry is a hard one to break into, and there are many wonderfully talented artists who deserve to be heard as well as played on radio. This year a unique concept is to showcase artists that are not on the various CCMA endorsed roster, but nevertheless have caught the attention from promoters to create a jam-packed two days of strutting their stuff for the music decision makers.


 


 


BILLY J WHITE
PERFORMING FRIDAY SEPTEMBER 7TH, 3:00 PM

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