October 2017

Monsieur Job

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Submitted by Kevin Webber

On “Chow Chow Eyyy Pow Pow” - Monsieur Job, fuse diverse talents by inviting artists such as; Marty of No Mercy, Kiño, Luis Carlos Toro, Alejandro Gomes Caceres, Sarah Sophia, Elemece, Thiago, Christian Gimenez, Vojke Djans, Diego Caceres, Oscar Moncada, Denis Dzigal, Cholo, Vick D, Mc Lions & Bingi, Kid Corrupt, Dave Floyd, Nacho Alvarez, Pablo Bendov and Aldo Cadiz therefore mixing a variation of many styles recreating genres like Reggaetón Electronica, Dancehall, Reggae, Dub, Tropical House, Rock, Chill Out, Rap, Trap, Hip Hop, Worship, and Son Montuno involving Afro Cuban and African Succu rhythms.

They do a good job, if I am so inclined to opine on what isn’t sung in English, possibly being ambiguous anyway. It’s the Hip Hop and Dancehall factors that shine through no matter what, so if you love that you’ll enjoy the song. It kicks off with an Electronica intro and at first you might think it’s going to be an EDM track. But it flows better in Pop waters than it seems. This is a Latin wonder at the end of the day, and all you can do is let it do its magic or not, depending on your taste. It’s a very simple but satisfying beat tracking. This is all best understood in Spanish, but a universal language speaks through the music as well.

Trevor Drury Takes a "Trip to the Water"

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Submitted by Daniel Boyer

Trevor Drury’s journey from a Southern California upbringing into the world of international modeling no doubt informs the vast experience projected through his songs, but Drury’s far more than just some visually appealing young performer. There’s genuine musical substance you can hear on his latest single “Trip to the Water” born not only from his personal experiences, but just as much built from a musical life that began when he was just entering his pre-teen years and later led to higher musical education when he entered college. His voice isn’t conventionally beautiful in the manner of some budding pop stars, but it has a natural sound and emotive capabilities possessed by few of his contemporaries. There’s immense stylishness that he puts into this performance you simply don’t hear in songs from many of those same contemporaries. “Trip to the Water” resonates as a song about very human yearning and an intensely personal statement.

Ken Whiteley’s Sunday Gospel Matinee @ Hugh’s Room Live

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Ken Whiteley’s Sunday Gospel Matinee @ Hugh’s Room Live

Submitted to Cashbox Canada

For those of you not familiar with "Sacred Steel", it is one of the mostexciting musical forms on the planet and Chuck is one of its greatestexponents. Ken first met the award winning pedal steel guitaristChuck Campbell on a Memphis elevator. Even before Kenheard the African-American Sacred Steel superstar groupThe Campbell Brothersperform, Ken sensed that here were musicians he'd love to make music with.The next day after he heard them play, the deal was sealed. Chuck Campbellplayed on two of Ken's cds – ‘Listening’ and ‘Another Day's Journey’. With The Campbell Brothers, Chuck has beenfeatured at Luminato, the Hummingbird Centre, The Kennedy Centre, TheHollywood Bowl and has toured extensively across North America and Europe.The last time Chuck appeared on Ken’s Sunday Gospel series it wasstanding room only so we suggest you get your ticketsearly.

Miles Electric Band Koerner Hall Toronto

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Submitted by Lenny Stoute

What with the Iranian cabbie banging South Indian bhangra on the way to the transformative music of the Miles Electric Band, crosspollination was in the air this Saturday night. Miles Electric Band focuses on entirely on interpreting the music of Davis’s electric period, when he released Bitches Brew, On the Corner and Jack Johnson. This however, ain't no tribute band. It does not faithfully replicate the songs; instead it holds to the spirit of the recordings, which was all about fusion and improvisations. The original recording sessions were convened with no music written down beyond basic song structures, the playing field that Davis required for what was to come. This is the jumping off point for the music of Miles Electric Band.

The lineup that filed quietly onstage before a buzzing audience was led by drummer/bandleader Vince Wilburn, Jr, followed by Davis alumnus Robert Irving 111 (keyboards), guitarist David Gilmore, Toronto tabla master Ravi Naimpally, bassist Dywane "MonoNeon" Thomas Jr , noted percussionist Munyungo Jackson, hip-hop turntablist DJ Logic, saxist Antoine Roney and fronting for Miles on trumpet, Etienne Charles.

Dean Brody 8th Day Celebrates Country Girls

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​Submitted to Cashbox Canada

“8th Day” was written by Brody and his long-time producing partner, Matt Rovey. Like his previous single, “Time”, this track from Beautiful Freakshow has a more traditional Dean Brody sound. “8th Day” pays homage to strong, confident and sometimes-complicated women who were finely crafted to be in this world.

“My fans mean the world to me, and a lot of them happen to be incredible women who love country music,” says Brody. “I wanted to honour all female country fans by giving them a song that is about them and everything that makes them wonderful. It’s a fun song that everyone can sing along to on the radio or at a concert.”

In honour of the release of “8th Day”, Wednesday November 8th will be dubbed “National Country Girls Day”. Country girls (and guys) can participate by posting photos and stories on social media with the hashtag #NationalCountryGirlsDay to win a signed poster from Dean Brody.

Brody is hitting the road for a long-awaited return to the east coast in November. Atlantic-based fans can catch Brody in Halifax on November 23rd and 24th at Casino Nova Scotia. It was also recently announced that Brody will be joining the lineup at the sold-out CMC Rocks Fest in Queensland, Australia in March, 2018.